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We are overwhelmed by the hands, fingers, hearts, and souls of Malaysians who are dedicated to producing works of excellence. Here is a culmination of the Hasanah Gold Threads Awards 2024 - the Artisans and Makers and behind the scenes of their journey alongside our Awards Journey.

Winners of the 2024 Hasanah Gold Threads Awards

Meet our Awards Recipients and view their Winning Submissions.

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Hasanah Gold Award

Adiguru Ngot binti Bi

Ngot binti Bi, from Asajaya, Sarawak, has been weaving the tikar bergerang for over 80 years. She is recognised as an Adiguru Kraf Negara by Kraftangan Malaysia and was accredited as a Sarawak Living Legend of Crafts by the Sarawak State Government in 2019. She is now a double award winner of the Hasanah Gold Threads Awards in both 2023 and 2024 for the Best Traditional Award in Plaiting with her exquisite weavings. This Award honours her lifetime of dedication to this craft, in pushing for and continuing to maintain the standard of excellence noted in her works, ensuring it remains a proud symbol of Sarawak Malay culture.

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Beadwork

Best Traditional Award

Juliana anak Embrose

Juliana anak Embrose, the skilled artisan behind Juliana Native Handwork, boasts an impressive career spanning over 30 years in the traditional Sarawak craft of beadwork and plaiting. Her submission, made of glass beads to be used as a table display, showcases Orang Ulu traditional beading technique and imagery. Familiar Sarawakian motifs abound, such as the yellow hornbills flanking the terabai or warrior shields. The red dragons at the ends are water dragons, symbolising protection, whilst the central red dragons symbolise prosperity. The yellow cloves scattered in the border of the piece represent protection. The technical execution of the piece is evident in its neatness, a result of the care taken to ensure the consistent sizing of the beads and the tension of the holding threads throughout this relatively large piece.

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Beadwork

Best Innovative Award

Dr. Kenny Loh

Dr Kenny Loh, CEO of Kenny Loh Couture, is an award-winning fashion designer committed to preserving Peranakan Baba Nyonya culture, learning the crafts of Nyonya kebaya embroidery and beading from elderly artisans. In this submission, the delicate and intricate craftsmanship evident in the Nyonya beaded shoe, a cultural icon in Peranakan heritage, is adapted into a decorative piece. Japanese glass beads are sewn onto a template using a half cross-stitch method, then backed with padding and framed. The design maintains the artistic legacy of the Peranakan community by incorporating traditional floral and geometric peacocks pattern commonly found in Nyonya beadwork. The colour palette is inspired by the vibrant hues of Nyonya attire, with rich turquoise greens, maroons, bright greens and subtle yellows.

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Drawing & Stamping

Best Traditional Award

Mohd Azwarin bin Ahmed

Mohd Azwarin bin Ahmed from Terengganu is not only a practitioner but also a passionate advocate of the craft of telepuk, which he regards as one of the vestiges of Malay civilisation. Once the dress of royals and nobility, Mohd Azwarin regards telepuk at risk of being forgotten as its use and production has diminished over time. Telepuk skills require the carving of motifs on wooden blocks which are used to stamp Arabic gum to the textile, on which goldleaf is then applied. The judges commended the effort and the aesthetic appeal of the submission.

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Drawing & Stamping

Best Innovative Award

Michael Lim Tiang Aik

Michael Lim from Kuching, Sarawak has used the batik technique in his over 60 years career as a full-time artist. Over the past 25 years, his focus has also been on natural dyes, combined with ink hand drawing. For this piece, he utilised natural dyes made from wood waste shavings of ironwood (belian) from a woodworking factory and local wild figs in combination with wax as the batik resist to give texture to the background of the piece. The natural dye from wild figs is notable as it uses fermentation dyeing which is environmentally friendly as the dye is fixed by exposure to sunlight. The theme for the painting is of the Sarawak pitcher plant (Nephenthes) against the mist of Gunung Murud, inspired by a trip made by the artist many years ago in search of such plants. Michael is recognised by the Sarawak State Government as a Sarawak Living Legend of crafts.

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Embroidery & Embellishment

Best Traditional Award

Adiguru Salbiah binti Muhi

This submission, from Salbiah binti Muhi, an Adiguru Kraf Negara in the craft of keringkam embroidery, is a selayah or headpiece worn by Sarawak Malay women at festivities such as weddings. Her skill is evident in the fineness and neatness of this traditional piece, particularly in the gold elements along the edges, in the execution of the border and the motifs passed down through time.

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Embroidery & Embellishment

Best Innovative Award

Danny bin Mohamad Zulkifli

Danny bin Mohamad Zulkifli, owner of D’Keringkam based in Kuching, Sarawak, was at one point one of only two practising male keringkam embroiderers left in Sarawak, but is now among those championing a resurgence in the craft. His submissions this year demonstrated explorations of the use of keringkam embroidery, traditionally applied in headpieces, into other forms of dress. The gold keringkam details work particularly well against the black fabric in this baju kurung, and this innovation represents a new lease of life given to this artform.

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Ikat

Best Traditional Award

Ejah anak Jepon

Ejah anak Jepon is an Iban weaver hailing from the renowned weaving community of Rumah Gare, Kapit, Sarawak. Her entry is an outstanding example of the pua kumbu, the traditional ritual textile of the Iban. The piece depicts Bujang Berani, or Brave Warriors, a traditional pattern unique to the Kapit Iban, and passed down to Ejah by her mother, the masterweaver Mula anak Jama. The design on this cotton piece has three figures defined by the brown 'harlequin' patterns of the legs, torso and head. From the head, feathers are seen attached to the hats the brave warriors wear. This particular piece by Ejah is special as it has five colours - the natural yarn colour, brown (from the roots of engkudu or Morinda citrifolia), blue (from the leaves of tarum indigo or Marsdenia tinctoria), dark chocolate (a combination of engkudu and tarum) and yellow from akar penawar landak (Fibraurea tinctoria).

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Ikat

Best Innovative Award

Ahmad Firdaus bin Mohd Razali

This submission from Penjara Penor, Pahang is designed by Ahmad Firdaus bin Mohd Razali, a prison warden who has been involved in weaving for some 17 years, under the rehabilitation programme for prison inmates spearheaded by Tenun Pahang Diraja. His previous accolades include being the overall champion of the Anugerah Kreatif Jabatan Penjara Malaysia. The skills of both ikat and songket are evident to create this exquisite dual-technique kain songket limar, to be used as a kain sampin. The high quality of the ikat technique is observed in the neatness of the geometric motif. In addition, judges commended its innovative design, in particular the harmonious colour combination and the high aesthetic value of the piece.

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Plaiting

Best Traditional Award

Adiguru Ngot Binti Bi

Ngot binti Bi, hailing from Asajaya, Sarawak, is an Adiguru Kraf Negara for the craft of weaving the tikar bergerang, with some 80 years of experience under her belt. She is also accredited as a Sarawak Living Legend of crafts by the Sarawak State Government in recognition of her lifelong efforts to the preservation and promotion of crafts. These mats are a symbol of Sarawak Malay identity, used during ceremonies to celebrate the birth of a baby, circumcision and weddings. The fineness and flawless execution of this open lattice mat-weaving technique astounded the judges, in consideration of the advanced age of the weaver (92 years old). The use of colour adds a further element of excellence to the piece.

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Plaiting

Best Innovative Award

The Ranee x Biro Wanita Kerapa Spak

The Ranee, based in Kuching, Sarawak, collaborates with local artisans to promote craft preservation and entrepreneurship. To this end, traditional skills are utilised in modern, practical and decorative items, blending intricate weaving patterns with modern aesthetics. This submitted piece is a mixed-media stool, crafted using traditional Iban weaving techniques with motifs inspired by the flora and fauna patterns of the Bornean rainforest. The chequered pattern interwoven with a subtle lelingkuk (wavy rattan vines) motif is made from a combination of rattan and polymer box straps. As sources of natural fibre become scarce or non-existent, weavers have been turning to plastic straps. To discourage the overwhelming use of plastics, The Ranee introduced the technique of mix media weaving to Iban communities in Betong, Sarawak, whilst weavers are also constantly encouraged to harvest responsibly and replant where possible, ensuring ecosystem preservation and sustainability.

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Supplementary Weft

Best Traditional Award

Dr June Ngo, Ong Wan Fen, Syamimi binti Razali

Designed by June Ngo and Ong Wan Fen and woven by Syamimi binti Razali, this full pattern kain sampin, named the ‘Indera Kayangan Sampin’ uses traditional songket motifs and is woven using filament threads in the Sarawak songket technique. Syamimi was recognised as a Sarawak Young Master of Crafts for songket weaving by the Sarawak State Government in 2019 whilst Wan Fen has previously received the World Crafts Council – Asia Pacific Region Award of Excellence in 2016.

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Supplementary Weft

Best Innovative Award

Marzuki bin Ma Hasan

This submission from Penjara Penor, Pahang is designed by Marzuki bin Ma Hasan, a prison warden who has been involved in weaving for some 17 years, under the rehabilitation programme for prison inmates spearheaded by Tenun Pahang Diraja. This kain songket limar is songket woven with a base of weft ikat threads, intended for use as a kain sampin – two decorative techniques in one textile. The further impressive element of this piece is the innovative use of double weave, resulting in two completely different motifs on each side of the textile, practically two textiles in one.

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Beadwork

Special Mention

Ina anak Sendar

Ina anak Sendar, based in Kuching, Sarawak, is a relatively new textile producer, operating for three years. Her submitted piece is a selampai manik or a beaded selendang worn by Iban women during wedding or dinner events as well as during Gawai festivals, with the motifs symbolising little dragons. The fringing adds an additional element of decorative interest to the piece.

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Drawing & Stamping

Special Mention

Mahusin bin Mohamad

This submission from Mahusin bin Mohamad, a prison warden at Penjara Marang Terengganu, showcases an exciting innovation in Malaysian batik spearheaded by Kraftangan Malaysia, specifically the use of clay as a more readily accessible and environmentally-friendly resist replacing wax. Despite the evolution of the craft, the traditional aesthetic elements of Malay heritage textiles can still be discerned in this piece. Judges commended the interesting and harmonious outcome from this innovative production technique.

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Embroidery & Embellishment

Special Mention

Adiguru Crisna binti Mojupi

Crisna binti Mojupi, an Adiguru Kraf Negara for the craft of sulaman pis, is the founder of Vinotik which seeks to promote Rungus heritage through workshops in her village. Crisna teaches this traditional craft to Rungus women in nine villages in Kudat and Beluran, Sandakan, and has nearly 200 students between the ages of 20 and 60 under her wing. Her submission is the traditional double-sided dual-color sigal, with the embroidered motifs evident on both sides of the piece. This headpiece, worn by men whilst performing the traditional Monggigol Sumundai dance as well as in celebrations such as weddings and harvest festivals, features a black side to be displayed during the day and an orange side typically used at night.

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Ikat

Special Mention

Nortipah binti Abdul Kadir

Natipah @ Nortipah binti Abdul Kadir is an Adiguru Kraf Negara for Tenun Pahang weaving. Hailing from Pulau Keladi, Pahang, she is a 12th generation weaver, proudly connected by bloodline to Al-Mahrum Keraing Aji (Tuk Tuan), pioneer of Pahang weaving. She remains one of the most revered Tenun Pahang weavers, receiving orders from royalty and dignitaries. She continues to maintain traditional practices such as only beginning weaving works on a Thursday, and attributes her longevity as a weaver to such observances. This kain sampin carries on it the traditional composition and motifs which she endeavours to keep alive, whilst also succeeding in marrying some seven colours to form a classical yet vibrant textile.

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Plaiting

Special Mention

The Ranee x Biro Wanita Rian Batang

The Ranee’s rural community craft development initiative works with weaving communities to harness traditional weaving skills into contemporary products, thus ensuring the continuation of this material culture. In an idea mooted by the Ranee’s Creative Director, Datin Rosemarie Wong, weavers from this Iban community in Betong, Sarawak were challenged to transform the classic rectangular mat into a round one. It is testament to their adept skills that this, the first ever round bemban mat was produced, but still with the subtle but intricate motifs typical of mats in this material.

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Supplementary Weft

Special Mention

Ong Wan Fen & Syamimi Binti Razali

This submission shows the innovative use of the Malay Sarawak songket technique to produce art, in this instance to depict the Iban gong and the Orang Ulu sape, marrying together three cultures. This piece is executed in Lurex metallic threads as the supplementary weft threads, on a base of filament silk used in both the warp and weft. Syamimi was recognised as a Sarawak Young Master of Craft for songket weaving by the Sarawak State Ministry of Tourism, Arts, and Culture in 2019 whilst Wan Fen has previously received the World Crafts Council – Asia Pacific Region Award of Excellence in Handicraft in 2016.

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Sustainability Gold Award

Helen Manjan anak Atong

This Iban warp ikat textile is woven using the traditional backstrap loom. The yarn used is an innovative fiber, known as Tencel, made from controlled or certified sourced natural raw material wood. The yarns absorb natural dyes after it is mordanted in the traditional Iban ngar ritual, an important cultural milestone in the weaving of natural dye Iban ikat pieces. Here, natural dyes such as engkudu (Morinda citrifolia) and tarum (indigo or Marsdenia tinctoria) are used together with the more unusual application of a yellow natural dye from wild vines known as akar penawar landak (Fibraurea tinctoria). Helen Manjan anak Atong is a masterweaver with 35 years of weaving experience based in Rumah Richard, Kapit, Sarawak. A dream weaver in the traditions of Iban ikat weaving, the motifs are her own received through a dream. The bottom of the piece depicts our earth and environment, followed by the ceremonial poles of tiang sandong and tiang ranyai depicted to make offerings to the Gods, with hornbill birds depicted perched on top of the poles. Raja Entala/ Raja Nata, the Supreme God in Iban mythology, is depicted as bright faces who control and bring harmony to mankind. The stars above depict the sky and the heavens that shine brightly. Altogether, this is a peaceful depiction of earth and the heavens.

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Youth Achievement Award

Nor Haimah binti Mohammad

This impressive submission is a sculptural artpiece conceptualised and executed by 22 year-old Nor Haimah binti Mohammad from Serian, Sarawak, woven using the songket technique interspersed with tapestry weaving technique to create a spiral. Altogether, six pieces were woven to produce the entire submission, due to the ambitious size of the project. Nor Haimah has been a weaver for four years, starting her weaving journey when she participated in the Songket Weaving Training Programme under the Maybank Women Eco-Weavers project by Maybank Foundation.

The Hasanah Gold Threads Awards 2024

The 2024 Hasanah Gold Threads Awards received 158 submissions. We wish to thank each of the following Artisans and Makers for their participation in this second edition:

Ab Fadhil bin Ab Rashid

Abdul Razak Husain

Adrian Lerin anak Rina

Adriel Nyawai anak Robin

Ahmad Firdaus bin Mohd Razali

Ahmad Iqram Nadeem bin Halmi

Ahmad Rusdy bin Abdul Hanip

Alexsen anak Entili

Amanda Daphne Fabian

Andrea binti James

Annie Tan Swee Lin 

Azizah binti Ahmad

AZWADE Design 

Bangie anak Embol

Batik Linut Sdn Bhd

Beraji anak Gangan

Biro Wanita Bratong Atas Roban

Biro Wanita Kerapa Spak

Biro Wanita Rian Batang

Brooke Museums Sdn Bhd

Bungan Ngau

Chakiris bin Uda Nagu

Cheria anak Nyukang

Cherry Gadung

Chok Sze Jin

Connie anak Daud

Connie Gadung

Crisna binti Mojupi

Damu anak Inggul

Danielle Lipang Lawai

Danny bin Mohamad Zulkifli

Datin Rosemarie Wong

Dr June Ngo

Dr Kenny Loh

Duri anak Jinuka

Ejah anak Jepon

Ensangai anak Juka

Eraminiza Eddy

Eriana Daniel

Fam Chin Sing

Farnie binti Loboi 

Faruq bin Kadir

Ganging anak Langkong

Hamzah bin Nizar

Hanaffi bin Ibrahim

Hanisah binti Dollah

Hanuni binti Ab Halim

Hasna binti Suhaimi

Hjh Ramlah binti Ulong @ Ibrahim

Ina anak Sendar

Jalila Abdul Ghank

Jelembai anak Sumok

Jeluwie anak Lamat

Jenai anak Narok

Jendila's Kraf

Jiyah @ Julia Juyah anak James

Johann Nawawi

Josefine Midong anak Jubin 

Joshua D.Louis

Juliana anak Embrose

Julitah binti Ukor

Jurina Ting

Kamariah binti Masdid

Khadijatul Ismalasari Ismail

Khairiyah binti Ghazali

Khairunnisa binti Zainuddin

Khatijah binti Mohamad

Kompleks Songket Penjara Marang

Kompleks Tenun Pahang DiRaja Penjara Penor

Kundat anak Gangan

Lee Swee Lin

Lee Swee May

Lejendra Zaitol

Lenja anak Mulok

LOXA

Lungi anak Sugi

Mahusin bin Mohamad

Majenah binti Rajli

Malao Mensonjune anak Mogat

Mandona Jusely

Marai anak Malina

Marta Wan

Mary Ting

Marzuki bin Ma Hasan

Masdi bin Salim

Masrina binti Mohammad Sidek

Melia anak Sang

Menti anak Mendu

Michael Lim Tiang Aik

Mohd Amran Abdullah

Mohd Armizee bin Mohd Zaki

Mohd Azwarin bin Ahmed 

Mohd Hafiz bin Drahman

Mohd Hafiz Izudin bin Yasin

Mohd Harris Haykal bin Abdullah

Mohd Herin bin Mansor

Mohd Redzuan Shah bin Mohd Desa

Mohd Safarizam bin Mohd Salih

Mohd Shahrul Amir bin Muda

Monica anak Chadom 

Muhammad Hilmi bin Muhammad Hafni

Muhammad Qairul bin Mohammad Fairuz

Muhammad Razman

Mujan Gadung

N.K.R Company

Nailiga @ Nelly binti Parasin

Nancy anak Ngali

Nancy Jullok

Nasrul Amri bin Samsudin

Natipah @ Nortipah binti Abdul Kadir

Ngot binti Bi

Nicholas anak Kesulai

Noor Atikah binti Abdul Ghani

Nor Faizatol Fazleha binti Mohd Rasdi

Nor Haimah binti Mohammad

Nora Shaw

Norinda binti Krang Su'ut

Nur Alya Adriana binti Nasrul Amri

Nur Bibi Sabariah binti Halmi

Nuran Syaziyah Razali

Nurfasian Seman

Ong Wan Fen

Patrick Low Teck Wei

Pusat Pemulihan Dalam Komuniti Nur Hikmah

Rabica Ubang

Ramlah binti Kipli

Ramtiniwaiti binti Ramlee

Rev Fr Christopher J. Lim

Riztiney Batik

Ros binti Salleh

Rosita Tuhing

Rozina binti Jalani

Rozita binti Harun

Runin anak Uli

Salbiah binti Muhi

Salliza binti Sideni

Sandin anak Ikang

Sembai anak Bunsu

Shah Nor Ramin bin Mohammad

Sia Ungat

Sinak anak Bakat

Siti Norbani binti Arbi

Siti Zarinah binti Jailani

Syahrir bin Nurdin

Syamimi binti Razali

Tebuh Wan

Tegok anak Sabut

The Ranee Sdn Bhd

Tumbu anak Dunggau

Unyie anak Chamong

Vornica anak Jugah

Wan Azwade bin Ahmad

Warisan Cenderawasih Global

Wendy Ului

Winson Ting Wei Tung

Zahriah binti Ahmad Sabki

Zalika binti Ahmad

Zuhrah binti Ahmad Sabki

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